| |
Young
Ukrainian Artist of the 1950's-1960's
Repressed and Murdered By The Soviets
|
The
Life Of Alla Horska in
"The Contemporary Ukrainian Woman:
Her Role In The Resistance Movement"
By Natalia I. Pazuniak, 1977
"How much suffering and dignity
in those sorrowful women's faces..."
By Eugene Svertyuk
"True art
reflects the essence of its object. It leaves its trace on
our soul: we identify ourselves with it."
"Eugene
Sverstyuk's words refer to the portraits and graphics of Alla
Horska, an artist-monumentalist whose life path was violently
curtailed. Horska fathomed the tragic fate of the Ukrainian
woman and found means to reflect this in her art."
|
Flowers And Photograph Of Alla Horska
At Alla Horska's Funeral In Kyiv,
Ukraine Monday, December 7, 1970
Original Photograph (Private Collection)
|
"In these times, when the Soviet regime denies
the most elementary rights to the Ukrainian people for self-expression
and adulterates the entire life with Russification --when every
manifestation of individual thought is being thought is being denigrated--it
behooves one to struggle for the mere existence of the native Ukrainian
language and culture. This struggle has become personified at all
levels of society in Ukraine through her intellectuals, men and
women alike..."
Large Crowd Of Mourners
At The Funeral Of Alla Horska Kyiv, Ukraine December 7, 1970
Original Photograph (Private Collection)
|
"...The post-Stalin period, specifically
the beginning of the 1960's, was marked by a renewed desire
for freedom among the young generation. This attitude emerged,
a phoenix of the past's ashes, among the so-called "Shestydesiatnyky".
In poetry, the voice of Lina Kostenko sang a fresh breath
of air in literature. Her ardo kindled the spirit of her younger
colleagues."
"In the fine arts, another brave women,
Alla Horska, became active. Young talented artists turned
to her as a wise friend and counselor. Yet Horska for long
was a neophyte as regards
|
Ukrainian spiritual life. Not
raised as a Ukrainian, she came to recognize her own identity only
in her mature years. It was then that she became active as an artist,
as a fighter for the human rights of persecuted intellectuals and
as a leader among younger artists."
|
"She
established her Club Of Creative Youth, a group which was
active in 1963-64, only to be disbanded soon thereafter by
the Soviet authorities. Horska had the temerity to write petitions
to ranking Soviet attorneys protesting against the violations
of human rights by the KGB (the Soviet Secret police). Her
petitions posed this question: Is it acceptable, in a land
allegedly governed by a constitution, to restrict rights of
freedom of speech, print and assembly, and to imprison citizens
for the 'crime' of reading a book, that espouses an adverse
ideology?"
"In 1964 Horska, together with other artists (Ludmyla Semykina,
Halyna Sevryuk and Opanas Zalyvakha), created a stained glass
window for the foyer of
|
Alla Horska's Artist Studio
Exhibition of Her Art Works Displayed In Her Honor By Her
Friends On the Day Of Her Funeral In Kyiv, Ukraine December
7, 1970. Original Photograph (Private Collection)
|
Kyiv University. It portrayed Taras Shevchenko
as protecting an allegoric woman (Ukraine) and holding in his hand
a book with the following quotation from his poem: "I will glorify
those insignificant, mute serfs, and will place my word to guard them,"
"By order of the Communist party and the KGB,
the stained glass window was destroyed owing to the artwork's "ideological
inconsistency" and its "modern artistic" approach. As an aftermath
of loud public criticism at a meeting of the Association of Ukrainian
Artists, Alla Horska suffered years of persecution and eventually
was murdered on November 28, 1970, near Kiev, presumably on the
order of the KGB."
"To her friends Alla remained a symbol of the
Ukrainian women who does not walk down life's journey along paths
smoothed down by half-truths; a woman whose sole goal is absolute
Truth, Love, and Beauty.*...
..."The persecution of free thought in Ukraine
is so chilling that the repercussions of most cases resound far
beyond the borders of Ukraine. Take the case of Tatyana Chodorovych,
who has included in her activities in defense of human rights the
cause of the Ukrainian intelluctuals L. Plyushch and V. Moroz. Member
of the Institute of Russian Language of the Academy of Arts and
Science of the U.S.S.R., she expressed her credo in the following
words: "We are against the lie and falsehood which penetrate our
State.The word is called upon in this
state to annihilate truth, to suppress sincere thought. But we know
only one law--the law of our conscience. We have a natural ability
to sympathize with the persecuted. We honor every human being how
struggles for free expression, for genuine truth***"
"The opposition to this lie, this struggle
for the victory of the truth, is beginning to dominate in the various
manifestations of action and behavior of Ukrainian women in contemporary
Ukraine. This posture of moral determination constitutes their major
role in the resistance movement of contemporary Ukraine."
(*The data on Horska have been gathered from
the Ukrainian press, according to the "Ukrainian Herald"-- Samvydav,
1970)
(***This quotation, from the collection of
documents in defense of L. Plyushch, gathered by T. Chodorovych,
was published in the Ukrainian press.)
"Ukraine In
A Changing World"
Papers Presented At A Conference Dedicated
To The 30th Anniversary Of The Founding Of
"The Ukrainian Quarterly"
Walter Dushnyck, Ph.D., Editor
Published by Ukrainian Congress Committee of America
New York, New York, 1977, Pages 145-147
|
|